Building on the theme of subjectivity introduced in Prelude, this work places digital bodies within a more complex narrative landscape. Grounded in Glitch Feminism, Sick Woman Theory and A Cyborg Manifesto, this work reflects on identity and self-representation in digital space, centring themes of politicised care and resistance to algorithmic control. It critiques the gendered construction of technology, reimagining digital bodies while examining the intersections of technology, gender, and resilience. The temporal disjunction between physical and virtual worlds demonstrates the complexity of constructing identity within digital environments, where embodiment is always hybrid and in flux.

The work employs strategies of deconstruction and dematerialisation through which cyborg bodies reclaim agency over their narratives. Glitch aesthetics and fragmented storytelling are used to surface hidden traumas and articulate the tensions between agency and constraint, vulnerability and resilience in cyberspace. In dialogue with the creator, Tu invites viewers to reflect on the politics of representation and digital embodiment.